All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y The Woman Fry eggs oil on canvas


The Woman Fry eggs
The Woman Fry eggs
Painting ID::  54713
  mk237 1618 Oil on canvas 99x128cm
  mk237 1618 Oil on canvas 99x128cm

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X

  

VELAZQUEZ, Diego Rodriguez de Silva y Three musician oil on canvas


Three musician
Three musician
Painting ID::  54714
  mk237 1617 Oil on canvas 87x110cm
  mk237 1617 Oil on canvas 87x110cm

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VELAZQUEZ, Diego Rodriguez de Silva y Jesus in the Mary-s home oil on canvas


Jesus in the Mary-s home
Jesus in the Mary-s home
Painting ID::  54715
  mk237 1619-1620 Oil on canvas 60x103.5cm
  mk237 1619-1620 Oil on canvas 60x103.5cm

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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Jesus in the Mary-s home oil on canvas


Detail of Jesus in the Mary-s home
Detail of Jesus in the Mary-s home
Painting ID::  54716
  mk237
  mk237

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VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai oil on canvas


Ilisabai
Ilisabai
Painting ID::  54717
  mk237 1632 Oil on canvas 132x101.c5m
  mk237 1632 Oil on canvas 132x101.c5m

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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