All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai oil on canvas


Ilisabai
Ilisabai
Painting ID::  54718
  mk237 1628-1635 Oil on canvas 301x314cm
  mk237 1628-1635 Oil on canvas 301x314cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Dean oil on canvas


Dean
Dean
Painting ID::  54719
  mk237 1633 Oil on canvas 1633 257x188cm
  mk237 1633 Oil on canvas 1633 257x188cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Dean oil on canvas


Dean
Dean
Painting ID::  54720
  mk237 Oil on canvas
  mk237 Oil on canvas

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Dean oil on canvas


Dean
Dean
Painting ID::  54721
  mk237 1633 Oil on canvas 257x188cm
  mk237 1633 Oil on canvas 257x188cm

Height    Width


  INS/CM       Quality

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VELAZQUEZ, Diego Rodriguez de Silva y Clown oil on canvas


Clown
Clown
Painting ID::  54722
  mk237 1634 oil on canvas 198x121cm
  mk237 1634 oil on canvas 198x121cm

Height    Width


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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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