All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Clown oil on canvas


Clown
Clown
Painting ID::  54723
  mk237 1634 Oil on canvas
  mk237 1634 Oil on canvas

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Clown oil on canvas


Clown
Clown
Painting ID::  54724
  mk237 1634 Oil on canvas 209x123cm
  mk237 1634 Oil on canvas 209x123cm

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Prince oil on canvas


Prince
Prince
Painting ID::  54725
  mk237 1634-1635 Oil on canvas 209x173cm
  mk237 1634-1635 Oil on canvas 209x173cm

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Assumption oil on canvas


Assumption
Assumption
Painting ID::  54726
  mk237 1618 Oil on canvas 135x101.6cm
  mk237 1618 Oil on canvas 135x101.6cm

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Oriental three doctor oil on canvas


Oriental three doctor
Oriental three doctor
Painting ID::  54727
  mk237 1619 Oil
  mk237 1619 Oil

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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