All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Prince oil on canvas


Prince
Prince
Painting ID::  54738
  mk237 1936 Oil on canvas 144x96.5cm
  mk237 1936 Oil on canvas 144x96.5cm

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VELAZQUEZ, Diego Rodriguez de Silva y Detail of  Prince oil on canvas


Detail of Prince
Detail of Prince
Painting ID::  54739
  mk237 1636 Oil on canvas 144x96.5cm
  mk237 1636 Oil on canvas 144x96.5cm

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VELAZQUEZ, Diego Rodriguez de Silva y Bishop oil on canvas


Bishop
Bishop
Painting ID::  54740
  mk237 1635-1638 Oil on canvas 55.8x40cm
  mk237 1635-1638 Oil on canvas 55.8x40cm

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VELAZQUEZ, Diego Rodriguez de Silva y Boar oil on canvas


Boar
Boar
Painting ID::  54741
  mk237 1635-1637 Oil on canvas
  mk237 1635-1637 Oil on canvas

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VELAZQUEZ, Diego Rodriguez de Silva y Duke oil on canvas


Duke
Duke
Painting ID::  54742
  mk237 1638 Oil on canvas 67x54.5cm
  mk237 1638 Oil on canvas 67x54.5cm

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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