All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Duke oil on canvas


Duke
Duke
Painting ID::  54743
  mk23.7 1638
  mk23.7 1638

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Duke of Madela oil on canvas


Duke of Madela
Duke of Madela
Painting ID::  54744
  mk237 163.8 Oil on canvas 68x51cm
  mk237 163.8 Oil on canvas 68x51cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Mars Masi oil on canvas


Mars Masi
Mars Masi
Painting ID::  54745
  mk237 1636-1640 Oil on canvas 179x95cm
  mk237 1636-1640 Oil on canvas 179x95cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Prince oil on canvas


Prince
Prince
Painting ID::  54746
  mk237 1639 Oil on canvas 128.5x99cm
  mk237 1639 Oil on canvas 128.5x99cm

Height    Width


  INS/CM       Quality

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VELAZQUEZ, Diego Rodriguez de Silva y Duke oil on canvas


Duke
Duke
Painting ID::  54747
  mk237 1624 Oil on canvas 206x106cm
  mk237 1624 Oil on canvas 206x106cm

Height    Width


  INS/CM       Quality

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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