All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Smelt factory oil on canvas


Smelt factory
Smelt factory
Painting ID::  54763
  mk237 1630 Oil on canvas 222x290cm
  mk237 1630 Oil on canvas 222x290cm

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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Smelt factory oil on canvas


Detail of Smelt factory
Detail of Smelt factory
Painting ID::  54764
  mk237
  mk237

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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Smelt factory oil on canvas


Detail of Smelt factory
Detail of Smelt factory
Painting ID::  54765
  mk237
  mk237

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VELAZQUEZ, Diego Rodriguez de Silva y Study of Head-portrait of Abolo oil on canvas


Study of Head-portrait of Abolo
Study of Head-portrait of Abolo
Painting ID::  54766
  mk237 1630 Oil on canvas 36.3x25.2cm
  mk237 1630 Oil on canvas 36.3x25.2cm

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VELAZQUEZ, Diego Rodriguez de Silva y The man-s bloodstain coat oil on canvas


The man-s bloodstain coat
The man-s bloodstain coat
Painting ID::  54767
  mk237 1630 Oil on canvas 223x250cm
  mk237 1630 Oil on canvas 223x250cm

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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