All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Pontifex oil on canvas


Pontifex
Pontifex
Painting ID::  54778
  mk237 1650 Oil on canvas 82x71.5cm
  mk237 1650 Oil on canvas 82x71.5cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Venus oil on canvas


Venus
Venus
Painting ID::  54779
  mk237 1650 Oil on canvas 122.5x197cm
  mk237 1650 Oil on canvas 122.5x197cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Venus oil on canvas


Detail of Venus
Detail of Venus
Painting ID::  54780
  mk237
  mk237

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Venus oil on canvas


Detail of Venus
Detail of Venus
Painting ID::  54781
  mk237
  mk237

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VELAZQUEZ, Diego Rodriguez de Silva y Cavalier oil on canvas


Cavalier
Cavalier
Painting ID::  54783
  mk237 1645-1650 Oil on canvas 67x56cm
  mk237 1645-1650 Oil on canvas 67x56cm

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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