All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Peasant oil on canvas


Peasant
Peasant
Painting ID::  54784
  mk237 1645-1650 Oil on canvas 65x51.3cm
  mk237 1645-1650 Oil on canvas 65x51.3cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Lady oil on canvas


Lady
Lady
Painting ID::  54785
  mk237 1650 Oil on canvas 65x59cm
  mk237 1650 Oil on canvas 65x59cm

Height    Width


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X

  

VELAZQUEZ, Diego Rodriguez de Silva y Barber oil on canvas


Barber
Barber
Painting ID::  54786
  mk237 1650 Oil on canvas 50.5x47cm
  mk237 1650 Oil on canvas 50.5x47cm

Height    Width


  INS/CM       Quality

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VELAZQUEZ, Diego Rodriguez de Silva y Maximi oil on canvas


Maximi
Maximi
Painting ID::  54787
  mk237 1650 Oil on canvas 73.6x58.5cm
  mk237 1650 Oil on canvas 73.6x58.5cm

Height    Width


  INS/CM       Quality

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VELAZQUEZ, Diego Rodriguez de Silva y Bishop oil on canvas


Bishop
Bishop
Painting ID::  54788
  mk237 1650-1651 Oil on canvas 61x48.5cm
  mk237 1650-1651 Oil on canvas 61x48.5cm

Height    Width


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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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