All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Princess oil on canvas


Princess
Princess
Painting ID::  54789
  mk237 1652-1653 Oil on canvas 127x98.5cm
  mk237 1652-1653 Oil on canvas 127x98.5cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Queen oil on canvas


Queen
Queen
Painting ID::  54790
  mk237 1652-1653 Oil on canvas 234x131.5cm
  mk237 1652-1653 Oil on canvas 234x131.5cm

Height    Width


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X

  

VELAZQUEZ, Diego Rodriguez de Silva y Princess oil on canvas


Princess
Princess
Painting ID::  54791
  mk237 1653 Oil on canvas 128.5x100cm
  mk237 1653 Oil on canvas 128.5x100cm

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Princess oil on canvas


Princess
Princess
Painting ID::  54792
  mk237 1654 Oil on canvas 70x58cm
  mk237 1654 Oil on canvas 70x58cm

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VELAZQUEZ, Diego Rodriguez de Silva y Weaver oil on canvas


Weaver
Weaver
Painting ID::  54793
  mk237 1653 oil on canvas 220x289cm
  mk237 1653 oil on canvas 220x289cm

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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