All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Filipu Prince oil on canvas


Filipu Prince
Filipu Prince
Painting ID::  54809
  mk237 1659 Oil on canvas 128.5x99.5cm
  mk237 1659 Oil on canvas 128.5x99.5cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Princess oil on canvas


Princess
Princess
Painting ID::  54810
  mk237 1660 Oil on canvas 212x147cm
  mk237 1660 Oil on canvas 212x147cm

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Head-Portrait of Young boy oil on canvas


Head-Portrait of Young boy
Head-Portrait of Young boy
Painting ID::  54811
  mk237 1617-1618 21.8x16.8cm
  mk237 1617-1618 21.8x16.8cm

Height    Width


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X

  

VELAZQUEZ, Diego Rodriguez de Silva y Girl oil on canvas


Girl
Girl
Painting ID::  54812
  mk237 1618 15x11.7cm
  mk237 1618 15x11.7cm

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Girl oil on canvas


Girl
Girl
Painting ID::  54813
  mk237 20x13.3cm
  mk237 20x13.3cm

Height    Width


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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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