All VOUET, Simon Oil Paintings

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting
 

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VOUET, Simon The Last Supper wt oil on canvas


The Last Supper wt
The Last Supper wt
Painting ID::  9688
  1615-20 Oil on canvas Palazzo Apostolico, Loreto
  1615-20 Oil on canvas Palazzo Apostolico, Loreto

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VOUET, Simon Prince Marcantonio Doria e oil on canvas


Prince Marcantonio Doria e
Prince Marcantonio Doria e
Painting ID::  9689
  1621 Oil on canvas, 129 x 95 cm Mus??e du Louvre, Paris
  1621 Oil on canvas, 129 x 95 cm Mus??e du Louvre, Paris

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VOUET, Simon Crucifixion wet oil on canvas


Crucifixion wet
Crucifixion wet
Painting ID::  9690
  1622 Oil on canvas, 375 x 225 cm Chiesa del Ges??, Genoa
  1622 Oil on canvas, 375 x 225 cm Chiesa del Ges??, Genoa

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VOUET, Simon Crucifixion er oil on canvas


Crucifixion er
Crucifixion er
Painting ID::  9691
  Oil on canvas Mus??e des Beaux-Arts, Lyon
  Oil on canvas Mus??e des Beaux-Arts, Lyon

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VOUET, Simon Father Time Overcome by Love, Hope and Beauty hf oil on canvas


Father Time Overcome by Love, Hope and Beauty hf
Father Time Overcome by Love, Hope and Beauty hf
Painting ID::  9693
  1627 Oil on canvas, 107 x 142 cm Museo del Prado, Madrid
  1627 Oil on canvas, 107 x 142 cm Museo del Prado, Madrid

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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