All VOUET, Simon Oil Paintings

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting
 
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VOUET, Simon Presentation in the Temple gu oil on canvas


Presentation in the Temple gu
Presentation in the Temple gu
Painting ID::  9694 		  Oil on canvas, 393 x 250 cm Mus??e du Louvre, Paris
  Oil on canvas, 393 x 250 cm Mus??e du Louvre, Paris

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VOUET, Simon Diana wr oil on canvas


Diana wr
Diana wr
Painting ID::  9695 		  1637 Oil on canvas, 102 x 141 cm Royal Collection, Hampton Court
  1637 Oil on canvas, 102 x 141 cm Royal Collection, Hampton Court

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VOUET, Simon Allegory of Wealth et oil on canvas


Allegory of Wealth et
Allegory of Wealth et
Painting ID::  9696 		  1630-35 Oil on canvas, 170 x 124 cm Mus??e du Louvre, Paris
  1630-35 Oil on canvas, 170 x 124 cm Mus??e du Louvre, Paris

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VOUET, Simon Sleeping Venus kji oil on canvas


Sleeping Venus kji
Sleeping Venus kji
Painting ID::  9697 		  1630-40 Oil on canvas, 100,5 x 84 cm Museum of Fine Arts, Budapest
  1630-40 Oil on canvas, 100,5 x 84 cm Museum of Fine Arts, Budapest

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VOUET, Simon Ambush qr oil on canvas


Ambush qr
Ambush qr
Painting ID::  9698 		  c. 1630 Oil on oak, 44,5 x 64,3 cm National Gallery, Prague
  c. 1630 Oil on oak, 44,5 x 64,3 cm National Gallery, Prague

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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