All VOUET, Simon Oil Paintings

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting
 
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VOUET, Simon January qwr oil on canvas


January qwr
January qwr
Painting ID::  9699 		  Oil on wood, 27 x 37 cm Museum of Fine Arts, Budapest
  Oil on wood, 27 x 37 cm Museum of Fine Arts, Budapest

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VOUET, Simon January (detail) dry oil on canvas


January (detail) dry
January (detail) dry
Painting ID::  9700 		  Oil on wood Museum of Fine Arts, Budapest
  Oil on wood Museum of Fine Arts, Budapest

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VOUET, Simon Parnassus or Apollo and the Muses (detail) oil on canvas


Parnassus or Apollo and the Muses (detail)
Parnassus or Apollo and the Muses (detail)
Painting ID::  29648 		  c. 1640 Oil on panel
  c. 1640 Oil on panel

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VOUET, Simon Parnassus or Apollo and the Muses (detail) oil on canvas


Parnassus or Apollo and the Muses (detail)
Parnassus or Apollo and the Muses (detail)
Painting ID::  29650 		  c. 1640 Oil on panel
  c. 1640 Oil on panel

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VOUET, Simon The Last Supper oil on canvas


The Last Supper
The Last Supper
Painting ID::  29652 		  1615-20 Oil on canvas
  1615-20 Oil on canvas

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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