All VOUET, Simon Oil Paintings

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting
 
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VOUET, Simon Madonna of the Basket oil on canvas


Madonna of the Basket
Madonna of the Basket
Painting ID::  30041 		  mk67 Oil on panel 52x38 3/8in Uffizi,Gallery
  mk67 Oil on panel 52x38 3/8in Uffizi,Gallery

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VOUET, Simon Annunciation oil on canvas


Annunciation
Annunciation
Painting ID::  30573 		  mk68 Oil on wood Florence,Uffizi, c.1645-1649 France
  mk68 Oil on wood Florence,Uffizi, c.1645-1649 France

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VOUET, Simon Annunciation oil on canvas


Annunciation
Annunciation
Painting ID::  30949 		  mk68 c.1645-1649
  mk68 c.1645-1649

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VOUET, Simon Recreation by our Gallery oil on canvas


Recreation by our Gallery
Recreation by our Gallery
Painting ID::  32616 		  mk79 1626
  mk79 1626

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VOUET, Simon Magdalene oil on canvas


Magdalene
Magdalene
Painting ID::  51186 		  1614-15 Oil on panel, 63 x 49 cm
  1614-15 Oil on panel, 63 x 49 cm

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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