All Vittore Carpaccio Oil Paintings

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
 
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Vittore Carpaccio Madonna and Blessing Child oil on canvas


Madonna and Blessing Child
Madonna and Blessing Child
Painting ID::  339 		  c1505 National Gallery of Art, Washington DC
  c1505 National Gallery of Art, Washington DC

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Vittore Carpaccio The Flight into Egypt oil on canvas


The Flight into Egypt
The Flight into Egypt
Painting ID::  340 		  1500 National Gallery of Art, Washington DC
  1500 National Gallery of Art, Washington DC

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Vittore Carpaccio The Virgin Reading oil on canvas


The Virgin Reading
The Virgin Reading
Painting ID::  341 		  c1505 National Gallery of Art, Washington DC
  c1505 National Gallery of Art, Washington DC

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Vittore Carpaccio Holy Conversation oil on canvas


Holy Conversation
Holy Conversation
Painting ID::  342 		  Musee du Petit Palais, Avignon
  Musee du Petit Palais, Avignon

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Vittore Carpaccio Stephen Preaching at Jerusalem (mk05) oil on canvas


Stephen Preaching at Jerusalem (mk05)
Stephen Preaching at Jerusalem (mk05)
Painting ID::  20081 		  Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812
  Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812

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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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