All WEENIX, Jan Baptist Oil Paintings

Dutch Baroque Era Painter, 1621-ca.1663 Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
 

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WEENIX, Jan Baptist Dead Partridge oil on canvas


Dead Partridge
Dead Partridge
Painting ID::  37793
  sn02 Undated Oil on canvas 50.6x43.5cm
  sn02 Undated Oil on canvas 50.6x43.5cm

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WEENIX, Jan Baptist Scenery from Ojcow oil on canvas


Scenery from Ojcow
Scenery from Ojcow
Painting ID::  97607
  1844(1844) Medium oil on canvasboard Dimensions 42 x 54 cm cyf
  1844(1844) Medium oil on canvasboard Dimensions 42 x 54 cm cyf

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     WEENIX, Jan Baptist
     Dutch Baroque Era Painter, 1621-ca.1663 Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.

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