All WEYDEN, Rogier van der Oil Paintings

Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion
 
       Prev  3  4  5  6  7  8  9  10  11  12   Next
  Prev Artist       Next Artist     
   
    
WEYDEN, Rogier van der Miniature from the first page of the Chroniques de Hainaut oil on canvas


Miniature from the first page of the Chroniques de Hainaut
Miniature from the first page of the Chroniques de Hainaut
Painting ID::  51173 		  1448 Opaque colours, gold, and pen
  1448 Opaque colours, gold, and pen

Height    Width


  INS/CM       Quality

X

  
WEYDEN, Rogier van der Triptych of the Redemption oil on canvas


Triptych of the Redemption
Triptych of the Redemption
Painting ID::  51174 		  1455-59 Oil on panel, 195 x 326 cm
  1455-59 Oil on panel, 195 x 326 cm

Height    Width


  INS/CM       Quality

X

  
WEYDEN, Rogier van der Christus on the Cross with Mary and St John oil on canvas


Christus on the Cross with Mary and St John
Christus on the Cross with Mary and St John
Painting ID::  51176 		  c. 1460 Oil on oak panel, 325 x 192 cm
  c. 1460 Oil on oak panel, 325 x 192 cm

Height    Width


  INS/CM       Quality

X

  
WEYDEN, Rogier van der Diptych of Jeanne of France oil on canvas


Diptych of Jeanne of France
Diptych of Jeanne of France
Painting ID::  51177 		  1452-70 Oil on oak panel, 39 x 27 cm
  1452-70 Oil on oak panel, 39 x 27 cm

Height    Width


  INS/CM       Quality

X

  
WEYDEN, Rogier van der St Jerome and the Lion oil on canvas


St Jerome and the Lion
St Jerome and the Lion
Painting ID::  51178 		  c. 1450 Oil on oak panel, 31 x 25 cm
  c. 1450 Oil on oak panel, 31 x 25 cm

Height    Width


  INS/CM       Quality

X

  
       Prev  3  4  5  6  7  8  9  10  11  12   Next
Prev Artist       Next Artist     
     WEYDEN, Rogier van der
     Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion

ARTIST:  ABCDEFGHIJKLMNOPQRSTUVWXYZ
Art Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings