All joris Hoefnagel Oil Paintings

Flemish Northern Renaissance Manuscript Illuminator, 1542-ca.1600,Flemish illuminator and draughtsman. He was the last of the great Flemish manuscript illuminators and the foremost topographical draughtsman of his age. His work forms a critical link between earlier manuscript illumination and ornamental design and the genre of floral still-life painting,
 
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joris Hoefnagel A Fete at Bermondsey oil on canvas


A Fete at Bermondsey
A Fete at Bermondsey
Painting ID::  41400 		  mk160 c.1570
  mk160 c.1570

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joris Hoefnagel View of Candia and Corfu oil on canvas


View of Candia and Corfu
View of Candia and Corfu
Painting ID::  52695 		  c. 1572
  c. 1572

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joris Hoefnagel View of Candia and Corfu oil on canvas


View of Candia and Corfu
View of Candia and Corfu
Painting ID::  53557 		  mk233 c.1572
  mk233 c.1572

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joris Hoefnagel A Fete at Bermondsey or A Marriage Feast at Bermondsey. oil on canvas


A Fete at Bermondsey or A Marriage Feast at Bermondsey.
A Fete at Bermondsey or A Marriage Feast at Bermondsey.
Painting ID::  79825 		  c. 1569 Oil on panel 73.8 x 99 cm (29 x 39 in) cjr
  c. 1569 Oil on panel 73.8 x 99 cm (29 x 39 in) cjr

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joris Hoefnagel A Fete at Bermondsey or A Marriage Feast at Bermondsey oil on canvas


A Fete at Bermondsey or A Marriage Feast at Bermondsey
A Fete at Bermondsey or A Marriage Feast at Bermondsey
Painting ID::  79863 		  A Fete at Bermondsey or A Marriage Feast at Bermondsey. This painting illustrates a panorama of society in the reign of Elizabeth I of England, who ma c. 1569 Oil on panel 73.8 x 99 cm (29 x 39 in) cjr
  A Fete at Bermondsey or A Marriage Feast at Bermondsey. This painting illustrates a panorama of society in the reign of Elizabeth I of England, who ma c. 1569 Oil on panel 73.8 x 99 cm (29 x 39 in) cjr

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     joris Hoefnagel
     Flemish Northern Renaissance Manuscript Illuminator, 1542-ca.1600,Flemish illuminator and draughtsman. He was the last of the great Flemish manuscript illuminators and the foremost topographical draughtsman of his age. His work forms a critical link between earlier manuscript illumination and ornamental design and the genre of floral still-life painting,

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