All Pieter Codde Oil Paintings

1599-1678 Dutch Pieter Codde Locations ), was a Dutch painter of genre works and portraits, also known to be a poet. He is said to have studied with Frans Hals, but it is more likely that his training was with a portrait painter, Barent van Someren (1572 ?C 1632) or possibly with Cornelis van der Voort (1576 ?C 1624). His earliest work is known to be a piece from 1626, Portrait of a Young Man, now in the Ashmolean. Most of his best remembered works were executed in Amsterdam and were small-scale paintings. They were distinctive in their silvery-gray tonalities, and many were musically themed, such as his first known genre work, Dancing Lesson (Louvre) from 1627, Musical Company of 1639, The Lute Player (Philadelphia Museum of Art) and, Concert, a piece now in the Uffizi Gallery. The other piece by Codde in the Uffizi is a genre work, Conversation. Codde also painted historical religious works, such as his Adoration of the Shepherds, from 1645, in the Rijksmuseum of Amsterdam. Though it is unknown whether he studied with Frans Hals, his style is undoubtedly similar in some respects. He was commissioned in 1637 to complete an unfinished work of Hals, Officers of the Company of the Amsterdam Crossbow Civic Guard Under Captain Reynier Reael and Lieutenant Cornelis Michielsz Blaeuw. While the choice of Codde to complete this work by Hals was not an obvious selection at the time, Codde work in the portrait matched the original so well that it is uncertain who painted what, although the Rijksmuseum, which now houses the work, states that Codde??s style is recognizable smoother.
 

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Pieter Codde Dancing Party oil on canvas


Dancing Party
Dancing Party
Painting ID::  430
  1636
  1636

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Pieter Codde Merry Company 2 oil on canvas


Merry Company 2
Merry Company 2
Painting ID::  431
  1631
  1631

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Pieter Codde Actors Changing Room oil on canvas


Actors Changing Room
Actors Changing Room
Painting ID::  84507
  Date 1630s Medium Oil on oak Dimensions Height: 33 cm (13 in). Width: 52 cm (20.5 in). cjr
  Date 1630s Medium Oil on oak Dimensions Height: 33 cm (13 in). Width: 52 cm (20.5 in). cjr

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Pieter Codde Lady Seated at Virginals oil on canvas


Lady Seated at Virginals
Lady Seated at Virginals
Painting ID::  85037
  Date first half of 17th century Medium Oil on oak panel Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cjr
  Date first half of 17th century Medium Oil on oak panel Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cjr

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Pieter Codde Actors Changing Room oil on canvas


Actors Changing Room
Actors Changing Room
Painting ID::  88363
  1630s Medium Oil on oak cyf
  1630s Medium Oil on oak cyf

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     Pieter Codde
     1599-1678 Dutch Pieter Codde Locations ), was a Dutch painter of genre works and portraits, also known to be a poet. He is said to have studied with Frans Hals, but it is more likely that his training was with a portrait painter, Barent van Someren (1572 ?C 1632) or possibly with Cornelis van der Voort (1576 ?C 1624). His earliest work is known to be a piece from 1626, Portrait of a Young Man, now in the Ashmolean. Most of his best remembered works were executed in Amsterdam and were small-scale paintings. They were distinctive in their silvery-gray tonalities, and many were musically themed, such as his first known genre work, Dancing Lesson (Louvre) from 1627, Musical Company of 1639, The Lute Player (Philadelphia Museum of Art) and, Concert, a piece now in the Uffizi Gallery. The other piece by Codde in the Uffizi is a genre work, Conversation. Codde also painted historical religious works, such as his Adoration of the Shepherds, from 1645, in the Rijksmuseum of Amsterdam. Though it is unknown whether he studied with Frans Hals, his style is undoubtedly similar in some respects. He was commissioned in 1637 to complete an unfinished work of Hals, Officers of the Company of the Amsterdam Crossbow Civic Guard Under Captain Reynier Reael and Lieutenant Cornelis Michielsz Blaeuw. While the choice of Codde to complete this work by Hals was not an obvious selection at the time, Codde work in the portrait matched the original so well that it is uncertain who painted what, although the Rijksmuseum, which now houses the work, states that Codde??s style is recognizable smoother.

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