All FABRITIUS, Carel Oil Paintings

Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
 
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FABRITIUS, Carel The Goldfinch dfgh oil on canvas


The Goldfinch dfgh
The Goldfinch dfgh
Painting ID::  6627 		  1654 Oil on panel, 33,5 x 22,8 Mauritshuis, The Hague
  1654 Oil on panel, 33,5 x 22,8 Mauritshuis, The Hague

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FABRITIUS, Carel Self-Portrait sfgh oil on canvas


Self-Portrait sfgh
Self-Portrait sfgh
Painting ID::  6628 		  1654 Oil on canvas, 70,5 x 61,5 cm National Gallery, London
  1654 Oil on canvas, 70,5 x 61,5 cm National Gallery, London

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FABRITIUS, Carel Self-Portrait 1202 oil on canvas


Self-Portrait 1202
Self-Portrait 1202
Painting ID::  6629 		  c. 1645 Oil on panel, 65 x 49 cm Museum Boymans-van Beuningen, Rotterdam
  c. 1645 Oil on panel, 65 x 49 cm Museum Boymans-van Beuningen, Rotterdam

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FABRITIUS, Carel Self-Portrait dfhm oil on canvas


Self-Portrait dfhm
Self-Portrait dfhm
Painting ID::  6630 		  Oil on panel, 62 x 51 cm Alte Pinakothek, Munich
  Oil on panel, 62 x 51 cm Alte Pinakothek, Munich

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FABRITIUS, Carel The Beheading of St. John the Baptist dg oil on canvas


The Beheading of St. John the Baptist dg
The Beheading of St. John the Baptist dg
Painting ID::  6631 		  Oil on canvas Rijksmuseum, Amsterdam
  Oil on canvas Rijksmuseum, Amsterdam

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     FABRITIUS, Carel
     Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure

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