All MEULEN, Adam Frans van der Oil Paintings

Flemish painter (b. 1632, Bruxelles, d. 1690, Paris). Flemish painter and draughtsman, active also in France. He was the eldest son of the seven children of Pieter van der Meulen and his second wife Marie van Steen Wegen. He went to study with Pieter Snayers, court painter in Brussels, on 18 May 1646, and in 1651 he became a master in the Brussels painters' guild. Probably soon after he married Catherina Huseweel. During the first 15 years of his career, the so-called Brussels period, he painted small-scale genre and history scenes with political and military events in the Baroque style of Sebastiaen Vrancx, Pieter Snayers and Jan Breughel the elder. Typical examples are a Cavalry Battle (1653; Geneva, Mus. A. & Hist.), a Ceremonial Entry into Brussels (1659; Kassel, Gemeldegal.), a General on Campaign (1660; Madrid, Prado) and a Hunting Scene
 
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MEULEN, Adam Frans van der Self-portrait 379 oil on canvas


Self-portrait 379
Self-portrait 379
Painting ID::  8206 		  1740s Oil on canvas, 65 x 50,2 cm Museum of Fine Arts, Budapest
  1740s Oil on canvas, 65 x 50,2 cm Museum of Fine Arts, Budapest

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MEULEN, Adam Frans van der The Army of Louis XIV in front of Tournai in 1667 oil on canvas


The Army of Louis XIV in front of Tournai in 1667
The Army of Louis XIV in front of Tournai in 1667
Painting ID::  51046 		  1684 Oil on canvas, 207 x 344,5 cm
  1684 Oil on canvas, 207 x 344,5 cm

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MEULEN, Adam Frans van der Construction of the oil on canvas


Construction of the
Construction of the
Painting ID::  64256 		  1669 Oil on canvas, 103 x 138,5 cm Royal Collection, London The Cheteau de Versailles, a 17th-century palace built by Louis XIV, was the principal residence of the kings of France and the seat of the government for more than 100 years. The first scenes of the French Revolution were also enacted at the palace, whose gardens, the masterpiece of AndreLe Netre, have become part of the national heritage of France and one of the most visited historic sites in Europe. Although it was a place of entertainment, the grandiose palace was also well equipped as a centre of government. Of about 20,000 persons attached to the court, some 1,000 courtiers with 4,000 attendants lived in the palace itself. About 14,000 soldiers and servants were quartered in annexes and in the town, which was founded in 1671 and had 30,000 inhabitants when Louis XIV died in 1715. The palace of Versailles led to the French court style in interior decoration and furnishings. Versailles was intended to be the outward and visible expression of the glory of France, and of Louis XIV, then Europe's most powerful monarch. His finance minister, Colbert, set up a manufactory that made works of art of all kinds, from furniture to jewellery, for interior decoration. A large export trade took French styles to almost every corner of Europe, made France a centre for luxuries, and gave to Paris an influence that has lasted till the present day. The vast initial cost of Versailles has been more than recouped since its completion. Even Louis XIV's most violent enemies imitated the decoration of his palace at Versailles. In 1667 Charles Le Brun was appointed director of the Gobelins factory, which had been bought by the King, and Le Brun himself prepared designs for various objects, from the painted ceilings of the Galerie des Glaces (Hall of Mirrors) at Versailles to the metal hardware for a door lock. , Artist: MEULEN, Adam Frans van der , Construction of the Cheteau de Versailles , 1651-1700 , Flemish , painting , historical
  1669 Oil on canvas, 103 x 138,5 cm Royal Collection, London The Cheteau de Versailles, a 17th-century palace built by Louis XIV, was the principal residence of the kings of France and the seat of the government for more than 100 years. The first scenes of the French Revolution were also enacted at the palace, whose gardens, the masterpiece of AndreLe Netre, have become part of the national heritage of France and one of the most visited historic sites in Europe. Although it was a place of entertainment, the grandiose palace was also well equipped as a centre of government. Of about 20,000 persons attached to the court, some 1,000 courtiers with 4,000 attendants lived in the palace itself. About 14,000 soldiers and servants were quartered in annexes and in the town, which was founded in 1671 and had 30,000 inhabitants when Louis XIV died in 1715. The palace of Versailles led to the French court style in interior decoration and furnishings. Versailles was intended to be the outward and visible expression of the glory of France, and of Louis XIV, then Europe's most powerful monarch. His finance minister, Colbert, set up a manufactory that made works of art of all kinds, from furniture to jewellery, for interior decoration. A large export trade took French styles to almost every corner of Europe, made France a centre for luxuries, and gave to Paris an influence that has lasted till the present day. The vast initial cost of Versailles has been more than recouped since its completion. Even Louis XIV's most violent enemies imitated the decoration of his palace at Versailles. In 1667 Charles Le Brun was appointed director of the Gobelins factory, which had been bought by the King, and Le Brun himself prepared designs for various objects, from the painted ceilings of the Galerie des Glaces (Hall of Mirrors) at Versailles to the metal hardware for a door lock. , Artist: MEULEN, Adam Frans van der , Construction of the Cheteau de Versailles , 1651-1700 , Flemish , painting , historical

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MEULEN, Adam Frans van der louis xiv receiving swiss ambassadors oil on canvas


louis xiv receiving swiss ambassadors
louis xiv receiving swiss ambassadors
Painting ID::  64276 		  1663 versailles, museum
  1663 versailles, museum

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     MEULEN, Adam Frans van der
     Flemish painter (b. 1632, Bruxelles, d. 1690, Paris). Flemish painter and draughtsman, active also in France. He was the eldest son of the seven children of Pieter van der Meulen and his second wife Marie van Steen Wegen. He went to study with Pieter Snayers, court painter in Brussels, on 18 May 1646, and in 1651 he became a master in the Brussels painters' guild. Probably soon after he married Catherina Huseweel. During the first 15 years of his career, the so-called Brussels period, he painted small-scale genre and history scenes with political and military events in the Baroque style of Sebastiaen Vrancx, Pieter Snayers and Jan Breughel the elder. Typical examples are a Cavalry Battle (1653; Geneva, Mus. A. & Hist.), a Ceremonial Entry into Brussels (1659; Kassel, Gemeldegal.), a General on Campaign (1660; Madrid, Prado) and a Hunting Scene

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Art Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ

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