All MOILLON, Louise Oil Paintings

French Baroque Era Painter, ca.1610-1696 French painter. She was the daughter of the Protestant Nicolas Moillon (1555-1619), a painter of portraits and landscapes, picture-dealer and member of the Acad?mie de St Luc. She grew up in the St-Germain-des-Pr?s district of Paris, which, from the beginning of the 17th century, was a centre for painters from the southern Netherlands seeking refuge from religious persecution. Flemish influences appear in her still-life work, a specialization in which she followed her stepfather,
 
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MOILLON, Louise Market Scene with a Pick-pocket ag oil on canvas


Market Scene with a Pick-pocket ag
Market Scene with a Pick-pocket ag
Painting ID::  8233 		  Oil on canvas, 116 x 165,5 cm Private collection
  Oil on canvas, 116 x 165,5 cm Private collection

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MOILLON, Louise Still-Life with Cherries, Strawberries and Gooseberries ag oil on canvas


Still-Life with Cherries, Strawberries and Gooseberries ag
Still-Life with Cherries, Strawberries and Gooseberries ag
Painting ID::  8234 		  1630 Oil on panel, 31 x 48,5 cm Norton Simon Museum of Art, Pasadena
  1630 Oil on panel, 31 x 48,5 cm Norton Simon Museum of Art, Pasadena

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MOILLON, Louise Basket with Peaches and Grapes s oil on canvas


Basket with Peaches and Grapes s
Basket with Peaches and Grapes s
Painting ID::  8235 		  1631 Oil on wood, 48 x 68 cm Staatliche Kunsthalle, Karlsruhe
  1631 Oil on wood, 48 x 68 cm Staatliche Kunsthalle, Karlsruhe

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MOILLON, Louise Cup of Cherries and Melon sg oil on canvas


Cup of Cherries and Melon sg
Cup of Cherries and Melon sg
Painting ID::  8236 		  1633 Oil on canvas, 48 x 65 cm Mus??e du Louvre, Paris
  1633 Oil on canvas, 48 x 65 cm Mus??e du Louvre, Paris

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     MOILLON, Louise
     French Baroque Era Painter, ca.1610-1696 French painter. She was the daughter of the Protestant Nicolas Moillon (1555-1619), a painter of portraits and landscapes, picture-dealer and member of the Acad?mie de St Luc. She grew up in the St-Germain-des-Pr?s district of Paris, which, from the beginning of the 17th century, was a centre for painters from the southern Netherlands seeking refuge from religious persecution. Flemish influences appear in her still-life work, a specialization in which she followed her stepfather,

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