All RAEBURN, Sir Henry Oil Paintings

Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh
 
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RAEBURN, Sir Henry Reverend Robert Walker Skating on Duddin oil on canvas


Reverend Robert Walker Skating on Duddin
Reverend Robert Walker Skating on Duddin
Painting ID::  31372 		  nn07
  nn07

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RAEBURN, Sir Henry Portrait of Miss Eleanor Urquhart. oil on canvas


Portrait of Miss Eleanor Urquhart.
Portrait of Miss Eleanor Urquhart.
Painting ID::  31373 		  nn07 c.1793. Oil on canvas. National Gallery of Art, Washington, DC, USA.
  nn07 c.1793. Oil on canvas. National Gallery of Art, Washington, DC, USA.

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RAEBURN, Sir Henry Jams Cruikshank oil on canvas


Jams Cruikshank
Jams Cruikshank
Painting ID::  31824 		  mk76 Painted between c.1805 and 1808 Oil on canvas 50x40in
  mk76 Painted between c.1805 and 1808 Oil on canvas 50x40in

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RAEBURN, Sir Henry Mrs.James Cruikshank oil on canvas


Mrs.James Cruikshank
Mrs.James Cruikshank
Painting ID::  31825 		  mk76 Painted between c.1805 and 1808 Oil on canvas 50 3/4x40in
  mk76 Painted between c.1805 and 1808 Oil on canvas 50 3/4x40in

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RAEBURN, Sir Henry Portrait of Sir John Sinclair oil on canvas


Portrait of Sir John Sinclair
Portrait of Sir John Sinclair
Painting ID::  43916 		  1794-95 Oil on canvas, 238 x 154 cm
  1794-95 Oil on canvas, 238 x 154 cm

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     RAEBURN, Sir Henry
     Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh

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