All Carlo Dolci Oil Paintings

1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.
 
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Carlo Dolci Self Portrait_i oil on canvas


Self Portrait_i
Self Portrait_i
Painting ID::  978 		  1674 Galleria degli Uffizi, Florence
  1674 Galleria degli Uffizi, Florence

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Carlo Dolci Vase of Flowers oil on canvas


Vase of Flowers
Vase of Flowers
Painting ID::  979 		  1665-75 Galleria degli Uffizi, Florence
  1665-75 Galleria degli Uffizi, Florence

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Carlo Dolci Portrait of Ainolfo de' Bardi oil on canvas


Portrait of Ainolfo de' Bardi
Portrait of Ainolfo de' Bardi
Painting ID::  980 		  1632 Galleria degli Uffizi, Florence
  1632 Galleria degli Uffizi, Florence

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Carlo Dolci Magdalene oil on canvas


Magdalene
Magdalene
Painting ID::  981 		  1660-70 Galleria degli Uffizi, Florence
  1660-70 Galleria degli Uffizi, Florence

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Carlo Dolci The Adoration of the Kings oil on canvas


The Adoration of the Kings
The Adoration of the Kings
Painting ID::  43093 		  mk170 1649 Oil on canvas 117x92cm
  mk170 1649 Oil on canvas 117x92cm

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     Carlo Dolci
     1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.

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