All Makart, Hans Oil Paintings

Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work
 
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Makart, Hans Abundantia: The Gifts of the Sea oil on canvas


Abundantia: The Gifts of the Sea
Abundantia: The Gifts of the Sea
Painting ID::  19254 		  1870 Mus??e d'Orsay, Paris.
  1870 Mus??e d'Orsay, Paris.

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Makart, Hans Abundantia: The Gifts of the Earth oil on canvas


Abundantia: The Gifts of the Earth
Abundantia: The Gifts of the Earth
Painting ID::  19255 		  1870 Mus??e d'Orsay, Paris
  1870 Mus??e d'Orsay, Paris

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Makart, Hans Portrait of a Lady oil on canvas


Portrait of a Lady
Portrait of a Lady
Painting ID::  19256 		  Oil on panel The Hermitage, St. Petersburg.
  Oil on panel The Hermitage, St. Petersburg.

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Makart, Hans Portrait of a Lady oil on canvas


Portrait of a Lady
Portrait of a Lady
Painting ID::  29346 		  mk65 Oil on panel 47x31 1/2"
  mk65 Oil on panel 47x31 1/2"

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Makart, Hans The Plague in Florence oil on canvas


The Plague in Florence
The Plague in Florence
Painting ID::  41221 		  mk157 1868 Oil on canvas 103x204.5cm
  mk157 1868 Oil on canvas 103x204.5cm

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     Makart, Hans
     Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work

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