All Vincenzo Foppa Oil Paintings

1427-1516 Italian Vincenzo Foppa Locations Italian painter. Giving new life to the art of the Lombard school, he exercised a great influence upon northern Italian art until the advent of Leonardo da Vinci. He settled (c.1456) in Pavia. There and in Milan he executed many important frescoes, most of which have been destroyed. He painted religious subjects exclusively, ranging from powerful renditions of the Crucifixion (Bergamo) to poignant depictions of the Madonna (Milan; Johnson Coll., Philadelphia; Davis Coll., Newport, R.I.; National Gall. of Art, Washington, D.C.). His large altarpiece of the Madonna and Child with Saints (Brera, Milan) is a notable example of his technical skill and variety of characterization.
 
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Vincenzo Foppa Madonna and Child with an Angel k oil on canvas


Madonna and Child with an Angel k
Madonna and Child with an Angel k
Painting ID::  1235 		  1479-80 Galleria degli Uffizi, Florence
  1479-80 Galleria degli Uffizi, Florence

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Vincenzo Foppa The Adoration of the Kings oil on canvas


The Adoration of the Kings
The Adoration of the Kings
Painting ID::  42978 		  mk170 circa 1490 Oil on poplar 238.3x210.8cm
  mk170 circa 1490 Oil on poplar 238.3x210.8cm

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Vincenzo Foppa Saint Anthony of Padua Vincenzo Foppa oil on canvas


Saint Anthony of Padua Vincenzo Foppa
Saint Anthony of Padua Vincenzo Foppa
Painting ID::  82648 		  Oil on panel, 148.9 x 57 cm Washington, National Gallery of Art cjr
  Oil on panel, 148.9 x 57 cm Washington, National Gallery of Art cjr

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Vincenzo Foppa Adoration of the Christ Child oil on canvas


Adoration of the Christ Child
Adoration of the Christ Child
Painting ID::  98298 		  second half of 15th century Medium tempera and oil on panel cyf
  second half of 15th century Medium tempera and oil on panel cyf

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     Vincenzo Foppa
     1427-1516 Italian Vincenzo Foppa Locations Italian painter. Giving new life to the art of the Lombard school, he exercised a great influence upon northern Italian art until the advent of Leonardo da Vinci. He settled (c.1456) in Pavia. There and in Milan he executed many important frescoes, most of which have been destroyed. He painted religious subjects exclusively, ranging from powerful renditions of the Crucifixion (Bergamo) to poignant depictions of the Madonna (Milan; Johnson Coll., Philadelphia; Davis Coll., Newport, R.I.; National Gall. of Art, Washington, D.C.). His large altarpiece of the Madonna and Child with Saints (Brera, Milan) is a notable example of his technical skill and variety of characterization.

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