All John Ferguson Weir Oil Paintings

American painter and sculptor. 1841-1926 Painter, teacher and sculptor, son of Robert Walter Weir. He grew up at the US Military Academy at West Point, where he was taught by his father. His earliest paintings record the handsome landscape of the surrounding countryside, including View of the Highlands from West Point (1862; New York, NY Hist. Soc.). By November 1862 Weir had settled in New York, occupying quarters in the Studio Building on West Tenth Street, where he became friendly with many of the well-known artists residing there. He also made important contacts through the Century Club and the Athenaeum Club and the Artists' Fund Society. He made his d?but at the National Academy of Design with an Artist's Studio (1864; Los Angeles, CA, Co. Mus. A.), a detailed view of his father's painting room at West Point. The picture's favourable reception led to his election as an Associate of the National Academy of Design.
 

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John Ferguson Weir The Gun Foundry oil on canvas


The Gun Foundry
The Gun Foundry
Painting ID::  32043
  mk77 1866 Oil on canvas 62x47in
  mk77 1866 Oil on canvas 62x47in

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John Ferguson Weir Die Waffengieberei Cold Spring oil on canvas


Die Waffengieberei Cold Spring
Die Waffengieberei Cold Spring
Painting ID::  45368
  mk181 1866 Ol auf Leinwand 124.3x165.8cm
  mk181 1866 Ol auf Leinwand 124.3x165.8cm

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John Ferguson Weir The Gun Foundry oil on canvas


The Gun Foundry
The Gun Foundry
Painting ID::  49346
  mk195 1864-1866 Oil on canvas 64x80
  mk195 1864-1866 Oil on canvas 64x80

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     John Ferguson Weir
     American painter and sculptor. 1841-1926 Painter, teacher and sculptor, son of Robert Walter Weir. He grew up at the US Military Academy at West Point, where he was taught by his father. His earliest paintings record the handsome landscape of the surrounding countryside, including View of the Highlands from West Point (1862; New York, NY Hist. Soc.). By November 1862 Weir had settled in New York, occupying quarters in the Studio Building on West Tenth Street, where he became friendly with many of the well-known artists residing there. He also made important contacts through the Century Club and the Athenaeum Club and the Artists' Fund Society. He made his d?but at the National Academy of Design with an Artist's Studio (1864; Los Angeles, CA, Co. Mus. A.), a detailed view of his father's painting room at West Point. The picture's favourable reception led to his election as an Associate of the National Academy of Design.

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