All MICHELE PANNONIO Oil Paintings

Hungarian Early Renaissance Painter, ca.1400-1464 Painter, active in Italy. He was one of the most important painters at the court of Ferrara in the mid-15th century and contributed to the creation of an indigenous Ferrarese style of painting. Most of his works have been destroyed. He may have been born in Hungary, as his name implies. There are parallels between his style and that of contemporary painters working in Hungary, but nothing is known of his early career. The suggestion that he can be identified with a Michele dai Unii, paid in 1415 for painting a standard for Leonello d'Este,
 

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MICHELE PANNONIO Ceres Enthroned oil on canvas


Ceres Enthroned
Ceres Enthroned
Painting ID::  32414
  1450-60 Panel, 136,5 x 82 cm
  1450-60 Panel, 136,5 x 82 cm

Height    Width


  INS/CM       Quality

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MICHELE PANNONIO The Muse Thalia oil on canvas


The Muse Thalia
The Muse Thalia
Painting ID::  83259
  Date between 1456(1456) and 1457(1457) Medium tempera and Oil on poplar cjr
  Date between 1456(1456) and 1457(1457) Medium tempera and Oil on poplar cjr

Height    Width


  INS/CM       Quality

X

  

MICHELE PANNONIO The Muse Thalia oil on canvas


The Muse Thalia
The Muse Thalia
Painting ID::  88483
  between 1456(1456) and 1457(1457) Medium tempera and Oil on poplar Dimensions Height: 137 cm (53.9 in). Width: 82 cm (32.3 in). cjr
  between 1456(1456) and 1457(1457) Medium tempera and Oil on poplar Dimensions Height: 137 cm (53.9 in). Width: 82 cm (32.3 in). cjr

Height    Width


  INS/CM       Quality

X

  

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     MICHELE PANNONIO
     Hungarian Early Renaissance Painter, ca.1400-1464 Painter, active in Italy. He was one of the most important painters at the court of Ferrara in the mid-15th century and contributed to the creation of an indigenous Ferrarese style of painting. Most of his works have been destroyed. He may have been born in Hungary, as his name implies. There are parallels between his style and that of contemporary painters working in Hungary, but nothing is known of his early career. The suggestion that he can be identified with a Michele dai Unii, paid in 1415 for painting a standard for Leonello d'Este,

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