All Juan Martin Cabezalero Oil Paintings

1633-1673 was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.
 
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Juan Martin Cabezalero Assumption ofthe Virgin oil on canvas


Assumption ofthe Virgin
Assumption ofthe Virgin
Painting ID::  32940 		  mk84 ca.165-70 Madrid,Prado,canvas 237x169cm
  mk84 ca.165-70 Madrid,Prado,canvas 237x169cm

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Juan Martin Cabezalero Portrait of Queen Mariana de Austria oil on canvas


Portrait of Queen Mariana de Austria
Portrait of Queen Mariana de Austria
Painting ID::  52624 		  1678 Oil on canvas, 206 x 123,5 cm
  1678 Oil on canvas, 206 x 123,5 cm

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Juan Martin Cabezalero St James the Great in the Battle of Clavijo oil on canvas


St James the Great in the Battle of Clavijo
St James the Great in the Battle of Clavijo
Painting ID::  52626 		  1660 Oil on canvas, 231 x 168 cm
  1660 Oil on canvas, 231 x 168 cm

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Juan Martin Cabezalero Assumption of the Virgin oil on canvas


Assumption of the Virgin
Assumption of the Virgin
Painting ID::  62360 		  237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources
  237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources

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     Juan Martin Cabezalero
     1633-1673 was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.

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