All Raja Ravi Varma Oil Paintings

1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.
 
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Raja Ravi Varma Goddess Lakshmi oil on canvas


Goddess Lakshmi
Goddess Lakshmi
Painting ID::  39804 		  mk153 Oil on canvas 73x52cm
  mk153 Oil on canvas 73x52cm

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Raja Ravi Varma The Lady in the picture is Mahaprabha Thampuratti of Mavelikara, oil on canvas


The Lady in the picture is Mahaprabha Thampuratti of Mavelikara,
The Lady in the picture is Mahaprabha Thampuratti of Mavelikara,
Painting ID::  60660 		  The Lady in the picture is Mahaprabha Thampuratti of Mavelikara, the artist's daughter and mother of HH Sethu Lakshmi Bayi
  The Lady in the picture is Mahaprabha Thampuratti of Mavelikara, the artist's daughter and mother of HH Sethu Lakshmi Bayi

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Raja Ravi Varma Shakuntala writes to Dushyanta. oil on canvas


Shakuntala writes to Dushyanta.
Shakuntala writes to Dushyanta.
Painting ID::  60661 		  Shakuntala writes to Dushyanta.
  Shakuntala writes to Dushyanta.

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Raja Ravi Varma Asthasiddi oil on canvas


Asthasiddi
Asthasiddi
Painting ID::  60667 		  Asthasiddi
  Asthasiddi

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Raja Ravi Varma Lakshmi oil on canvas


Lakshmi
Lakshmi
Painting ID::  60668 		  Lakshmi
  Lakshmi

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     Raja Ravi Varma
     1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.

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