All Vittore Carpaccio Oil Paintings

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
 

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Vittore Carpaccio The Stoning of Saint Stephen oil on canvas


The Stoning of Saint Stephen
The Stoning of Saint Stephen
Painting ID::  334
  1520 Staatsgalerie, Stuttgart
  1520 Staatsgalerie, Stuttgart

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Vittore Carpaccio St.Thomas in Glory between St.Mark St.Louis of Toulouse oil on canvas


St.Thomas in Glory between St.Mark St.Louis of Toulouse
St.Thomas in Glory between St.Mark St.Louis of Toulouse
Painting ID::  335
  1507 Staatsgalerie, Stuttgart
  1507 Staatsgalerie, Stuttgart

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Vittore Carpaccio The Lion of St.Mark oil on canvas


The Lion of St.Mark
The Lion of St.Mark
Painting ID::  336
 
 

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Vittore Carpaccio Portrait of a Knight oil on canvas


Portrait of a Knight
Portrait of a Knight
Painting ID::  337
  1510 Thyssen Collection, Lugano
  1510 Thyssen Collection, Lugano

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Vittore Carpaccio St.George the Dragon oil on canvas


St.George the Dragon
St.George the Dragon
Painting ID::  338
  1502-08 Scuola di San Giorgio degli Schiavoni, Venice
  1502-08 Scuola di San Giorgio degli Schiavoni, Venice

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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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