Adrian Ludwig Richter

German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.


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Adrian Ludwig Richter Church at Graupen in Bohemia (mk09) oil


Church at Graupen in Bohemia (mk09)
Painting ID::  21409
Church at Graupen in Bohemia (mk09)
1836 Oil on panel,56.7 x 70.2 cm HanovermNiedersachsische Landesgalerie
   
   
     

Adrian Ludwig Richter Crossing the Elbe in front of the Schreckenstein (mk10) oil


Crossing the Elbe in front of the Schreckenstein (mk10)
Painting ID::  21858
Crossing the Elbe in front of the Schreckenstein (mk10)
1837,oil on canvas,116.5 x 156.3 cm Dresden,Staatliche Kunstsammlungen Gemaldegalerie
   
   
     

Adrian Ludwig Richter Morning in Palestrina (mk10) oil


Morning in Palestrina (mk10)
Painting ID::  21875
Morning in Palestrina (mk10)
1829,oil on canvas 77.5 x 100 cm Dresden
1829,oil_on_canvas_77.5_x_100_cm Dresden
   
   
     

Adrian Ludwig Richter Crossing at the Schreckenstein (mk22) oil


Crossing at the Schreckenstein (mk22)
Painting ID::  22800
Crossing at the Schreckenstein (mk22)
1837 Oil on canvas,116.5 x 156.5 cm Dresden,Gemaldegalerie Neue Meister,Staatliche Kunstsammlungen Dresden
   
   
     

Adrian Ludwig Richter The Schreckenstein Crossing oil


The Schreckenstein Crossing
Painting ID::  30317
The Schreckenstein Crossing
nn05 1837 Across the river and into the past
nn05 1837 Across_the_river_and_into_the_past
   
   
     

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     Adrian Ludwig Richter
     German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.

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