Aelbert Cuyp

1620-1691 Dutch Aelbert Cuyp Locations Painter and draughtsman, son of Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. He became popular in the late 18th century, especially in England.
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Aelbert Cuyp Ruhepause im Lager oil


Ruhepause im Lager
Painting ID::  77066 		Ruhepause im Lager
Date ca. 1660(1660) Medium Oil on canvas Dimensions 97 ?? 130 cm (38.2 ?? 51.2 in) cyf
   
   
     
Aelbert Cuyp Landscape with herdsman and cattle. oil


Landscape with herdsman and cattle.
Painting ID::  77685 		Landscape with herdsman and cattle.
1650-1660 Oil on canvas 105 ?? 103 cm (41.3 ?? 40.6 in) cjr
   
   
     
Aelbert Cuyp Ansicht von Dordrecht oil


Ansicht von Dordrecht
Painting ID::  77777 		Ansicht von Dordrecht
Deutsch: um 1660 English: c. 1660 Medium Oil on canvas Dimensions Deutsch: 96 ?? 131 cm cyf
   
   
     
Aelbert Cuyp Portrait of a young man oil


Portrait of a young man
Painting ID::  78691 		Portrait of a young man
between 1650(1650) and 1655(1655) Oil on panel 82 x 70 cm (32.3 x 27.6 in) cjr
   
   
     
Aelbert Cuyp Hirt mit funf Kuhen an einem Flub oil


Hirt mit funf Kuhen an einem Flub
Painting ID::  78749 		Hirt mit funf Kuhen an einem Flub
c. 1660 Oil on panel 45 x 74 cm cjr
c._1660_ Oil_on_panel _ 45_x_74_cm_ cjr
   
   
     
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     Aelbert Cuyp
     1620-1691 Dutch Aelbert Cuyp Locations Painter and draughtsman, son of Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. He became popular in the late 18th century, especially in England.

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