Albert Bierstadt

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.


       Prev  32  33  34  35  36  37  38  39  40  41   Next
  Prev Artist       Next Artist     

   
    

Albert Bierstadt By_a_Mountain_Lake oil


By_a_Mountain_Lake
Painting ID::  95822
By_a_Mountain_Lake
Date ? ttd
Date__? ttd
   
   
     

Albert Bierstadt In the Forest oil


In the Forest
Painting ID::  95823
In the Forest
Date circa 1880(1880) Medium oil on canvas Dimensions 36 x 26 in (91.4 x 66 cm) ttd
   
   
     

Albert Bierstadt Moose Hunters' Camp, Nova Scotia oil


Moose Hunters' Camp, Nova Scotia
Painting ID::  95824
Moose Hunters' Camp, Nova Scotia
Date ~1880 Medium oil on canvas ttd
Date_~1880_ Medium_oil_on_canvas_ ttd
   
   
     

Albert Bierstadt The_Wave oil


The_Wave
Painting ID::  95825
The_Wave
Date:? ttd
Date:? ttd
   
   
     

Albert Bierstadt Palm Tree, Nassau by Albert Bierstadt oil


Palm Tree, Nassau by Albert Bierstadt
Painting ID::  95835
Palm Tree, Nassau by Albert Bierstadt
Date After 1877 ttd
Date_After_1877_ ttd
   
   
     

       Prev  32  33  34  35  36  37  38  39  40  41   Next
Prev Artist       Next Artist     

     Albert Bierstadt
     German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings