Albert Bierstadt

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.


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Albert Bierstadt Seals on the Rocks, Farallon Islands oil


Seals on the Rocks, Farallon Islands
Painting ID::  95853
Seals on the Rocks, Farallon Islands
Date ~1872-1873 Medium oil on canvas Dimensions 66.04 x 91.44 cm (26 x 36 in) ttd
   
   
     

Albert Bierstadt Sierra_Nevada_aka_From_the_Head_of_the_Carson_River, California oil


Sierra_Nevada_aka_From_the_Head_of_the_Carson_River, California
Painting ID::  95854
Sierra_Nevada_aka_From_the_Head_of_the_Carson_River, California
Date:? ttd
Date:? ttd
   
   
     

Albert Bierstadt The_Sierra_Nevadas oil


The_Sierra_Nevadas
Painting ID::  95855
The_Sierra_Nevadas
Date:? ttd
Date:? ttd
   
   
     

Albert Bierstadt The Kern River Valley, a montane canyon in the Sierra Nevada, California oil


The Kern River Valley, a montane canyon in the Sierra Nevada, California
Painting ID::  95856
The Kern River Valley, a montane canyon in the Sierra Nevada, California
Date 1871 ttd
Date_1871_ ttd
   
   
     

Albert Bierstadt Valley_in_Kings_Canyon, in the Sierra Nevada, California oil


Valley_in_Kings_Canyon, in the Sierra Nevada, California
Painting ID::  95857
Valley_in_Kings_Canyon, in the Sierra Nevada, California
Date:?
Date:?
   
   
     

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     Albert Bierstadt
     German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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