Alfred Dedreux

1810-1860,French painter and draughtsman. His father was the architect Pierre-Anne Dedreux (1788-1849); Alfred's sister, Louise-Marie Becq de Fouqui?res (1825-92), was also an artist. His uncle, Pierre-Joseph Dedreux-Dorcy (1789-1874), a painter and intimate friend of Gericault, took Dedreux frequently to the atelier of Gericault whose choice of subjects, especially horses, had a lasting influence on him. During the 1820s he studied with L?on Cogniet, although his early style was more influenced by the work of Stubbs, Morland, Constable and Landseer, exposure to which probably came through Gericault and the painter Eugene Lami who lived in London in the mid-1820s.
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Alfred Dedreux A Greyhound In An Extensive Landscape oil


A Greyhound In An Extensive Landscape
Painting ID::  74276 		A Greyhound In An Extensive Landscape
Oil on canvas 73.7 X 94 cm cjr
Oil_on_canvas _ 73.7_X_94_cm_ cjr
   
   
     
Alfred Dedreux A Greyhound In An Extensive Landscape oil


A Greyhound In An Extensive Landscape
Painting ID::  75685 		A Greyhound In An Extensive Landscape
Medium Oil on canvas Dimensions English: 73.7 ?? 94 cm cyf
   
   
     
Alfred Dedreux Randjiit Sing Baadour oil


Randjiit Sing Baadour
Painting ID::  79425 		Randjiit Sing Baadour
1838(1838) Oil on canvas 128 x 115 cm (50.4 x 45.3 in) cjr
   
   
     
Alfred Dedreux Randjiit Sing Baadour oil


Randjiit Sing Baadour
Painting ID::  82367 		Randjiit Sing Baadour
1838(1838) Medium Oil on canvas Dimensions 128 x 115 cm (50.4 x 45.3 in) cyf
   
   
     
Alfred Dedreux Ride oil


Ride
Painting ID::  98058 		Ride
between circa 1840(1840) and circa 1855(1855) Medium oil on canvas Dimensions 24 x 32 cm cyf
   
   
     
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     Alfred Dedreux
     1810-1860,French painter and draughtsman. His father was the architect Pierre-Anne Dedreux (1788-1849); Alfred's sister, Louise-Marie Becq de Fouqui?res (1825-92), was also an artist. His uncle, Pierre-Joseph Dedreux-Dorcy (1789-1874), a painter and intimate friend of Gericault, took Dedreux frequently to the atelier of Gericault whose choice of subjects, especially horses, had a lasting influence on him. During the 1820s he studied with L?on Cogniet, although his early style was more influenced by the work of Stubbs, Morland, Constable and Landseer, exposure to which probably came through Gericault and the painter Eugene Lami who lived in London in the mid-1820s.

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