Ambrogio Lorenzetti

Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.


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Ambrogio Lorenzetti Miracles of St.Nicholas oil


Miracles of St.Nicholas
Painting ID::  55913
Miracles of St.Nicholas
mk247 1332,tempera on wood ,38x20 in,96x52.5cm uffizi,florence,ltaly
   
   
     

Ambrogio Lorenzetti The Effects of Good Government in the city oil


The Effects of Good Government in the city
Painting ID::  55916
The Effects of Good Government in the city
mk247 c.1338-40,fresco,116.5x550.375 in,296x1398cm,palazzo pubblico,siena,ltaly
   
   
     

Ambrogio Lorenzetti portrait of a child holding a rattle oil


portrait of a child holding a rattle
Painting ID::  56136
portrait of a child holding a rattle
mk247 1771,oil on canvas,36x31.5 in,92x80 cm,private collection
   
   
     

Ambrogio Lorenzetti vishnu visvarupa,preserver of the universe,represnted as the whole world oil


vishnu visvarupa,preserver of the universe,represnted as the whole world
Painting ID::  56165
vishnu visvarupa,preserver of the universe,represnted as the whole world
mk247 19th century,watercolor on paper,15.25x11 in,38.7x28 cm,victoria and albert museum,london,uk
   
   
     

Ambrogio Lorenzetti den belige nikolaus baris liv oil


den belige nikolaus baris liv
Painting ID::  56622
den belige nikolaus baris liv
mk248 den belige nikolaus var bikop av myra ocb avibldas nar ban raddar staden fran bungers nod genom att mirakulost torka ocb mang dubbla de vetesackar som fallit i bavet.
   
   
     

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     Ambrogio Lorenzetti
     Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.

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