Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Andrea del Castagno Death of the Virgin oil


Death of the Virgin
Painting ID::  4747 		Death of the Virgin
1442-43 Drawing Basilica di San Marco, Venice
1442-43 Drawing Basilica_di_San_Marco,_Venice
   
   
     
Andrea del Castagno Deposition kkkjjh oil


Deposition kkkjjh
Painting ID::  4748 		Deposition kkkjjh
c. 1444 Stained glass Duomo, Florence
c._1444 Stained_glass Duomo,_Florence
   
   
     
Andrea del Castagno Pippo Spano oil


Pippo Spano
Painting ID::  4749 		Pippo Spano
c. 1450 Fresco transferred to wood, 250 x 154 cm Galleria degli Uffizi, Florence
   
   
     
Andrea del Castagno Niccol Acciaiuoli oil


Niccol Acciaiuoli
Painting ID::  4750 		Niccol Acciaiuoli
c. 1450 Fresco transferred to wood, 250 x 154 cm Galleria degli Uffizi, Florence
   
   
     
Andrea del Castagno Farinata degli Uberti oil


Farinata degli Uberti
Painting ID::  4751 		Farinata degli Uberti
c. 1450 Fresco transferred to wood, 250 x 154 cm Galleria degli Uffizi, Florence
   
   
     
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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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