Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.


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Andrea del Castagno Madonna and Child fff oil


Madonna and Child fff
Painting ID::  4762
Madonna and Child fff
c. 1450 Fresco Villa Carducci, Soffiano (Florence)
c._1450 Fresco Villa_Carducci,_Soffiano_(Florence)
   
   
     

Andrea del Castagno The Holy Trinity, St Jerome and Two Saints oil


The Holy Trinity, St Jerome and Two Saints
Painting ID::  4763
The Holy Trinity, St Jerome and Two Saints
c. 1453 Fresco SS. Annunziata, Florence
c._1453 Fresco SS._Annunziata,_Florence
   
   
     

Andrea del Castagno St Julian and the Redeemer oil


St Julian and the Redeemer
Painting ID::  4764
St Julian and the Redeemer
c. 1453 Fresco SS. Annunziata, Florence
c._1453 Fresco SS._Annunziata,_Florence
   
   
     

Andrea del Castagno Crucifixion  jju oil


Crucifixion jju
Painting ID::  4765
Crucifixion jju
c. 1455 Fresco, 270 x 347 cm Sant'Apollonia, Florence
c._1455 Fresco,_270_x_347_cm Sant'Apollonia,_Florence
   
   
     

Andrea del Castagno Crucifixion (detail) gg oil


Crucifixion (detail) gg
Painting ID::  4766
Crucifixion (detail) gg
c. 1455 Fresco Sant'Apollonia, Florence
c._1455 Fresco Sant'Apollonia,_Florence
   
   
     

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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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