Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.


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Andrea del Castagno The Youthful David oil


The Youthful David
Painting ID::  31310
The Youthful David
nn07 c. 1450 Tempera on leather on wood, width at bottom 115,6 x 41 cm National Gallery of Art, Washington
   
   
     

Andrea del Castagno The Trininty with Saints oil


The Trininty with Saints
Painting ID::  32054
The Trininty with Saints
mk78 c.1453-4 Fresco. Florence,SS.Annunziara
mk78 c.1453-4 Fresco. Florence,SS.Annunziara
   
   
     

Andrea del Castagno Our Lady of the Assumption with Sts Miniato and Julian oil


Our Lady of the Assumption with Sts Miniato and Julian
Painting ID::  32201
Our Lady of the Assumption with Sts Miniato and Julian
1450 Panel, 150 x 158 cm
1450 Panel,_150_x_158_cm
   
   
     

Andrea del Castagno St John the Baptist oil


St John the Baptist
Painting ID::  32202
St John the Baptist
1442 Fresco
1442 Fresco
   
   
     

Andrea del Castagno God the Father oil


God the Father
Painting ID::  32203
God the Father
1442 Fresco
1442 Fresco
   
   
     

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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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