Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Andrea del Castagno The Cumaean Sibyl oil


The Cumaean Sibyl
Painting ID::  29742 		The Cumaean Sibyl
mk67 Fresco transferred to canvas 98 7/16x60 5/8in
mk67 Fresco_transferred_to_canvas 98_7/16x60_5/8in
   
   
     
Andrea del Castagno Farinata degli Uberti oil


Farinata degli Uberti
Painting ID::  29743 		Farinata degli Uberti
mk67 Fresco transferred to canvas 98 7/16x60 5/8in
mk67 Fresco_transferred_to_canvas 98_7/16x60_5/8in
   
   
     
Andrea del Castagno Pippo Spano oil


Pippo Spano
Painting ID::  29744 		Pippo Spano
mk67 Fresco transferred to canvas 98 7/16x60 5/8in
mk67 Fresco_transferred_to_canvas 98_7/16x60_5/8in
   
   
     
Andrea del Castagno Last Supper oil


Last Supper
Painting ID::  30416 		Last Supper
mk68 Fresco,width of wall Florence Convent of Sant'Apollonia 1447 ltaly
   
   
     
Andrea del Castagno Pippo Spano oil


Pippo Spano
Painting ID::  30418 		Pippo Spano
mk68 Fresco transferred to wood Florence,Uffizi. c.1448 ltaly
   
   
     
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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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