Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Andrea del Castagno Francesco Petrarca oil


Francesco Petrarca
Painting ID::  4757 		Francesco Petrarca
c. 1450 Fresco transferred to wood, 247 x 153 cm Galleria degli Uffizi, Florence
   
   
     
Andrea del Castagno Our Lady of the Assumption with Sts Miniato and Julian oil


Our Lady of the Assumption with Sts Miniato and Julian
Painting ID::  4758 		Our Lady of the Assumption with Sts Miniato and Julian
1450 Panel, 150 x 158 cm Staatliche Museen, Berlin
1450 Panel,_150_x_158_cm Staatliche_Museen,_Berlin
   
   
     
Andrea del Castagno The Youthful David oil


The Youthful David
Painting ID::  4759 		The Youthful David
c. 1450 Tempera on leather on wood, width at bottom 115,6 x 41 cm National Gallery of Art, Washington
   
   
     
Andrea del Castagno Crucifixion hhh oil


Crucifixion hhh
Painting ID::  4760 		Crucifixion hhh
c. 1450 Panel, 29 x 35 cm National Gallery, London
c._1450 Panel,_29_x_35_cm National_Gallery,_London
   
   
     
Andrea del Castagno Eve hh oil


Eve hh
Painting ID::  4761 		Eve hh
c. 1450 Fresco Villa Carducci, Soffiano (Florence)
c._1450 Fresco Villa_Carducci,_Soffiano_(Florence)
   
   
     
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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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