Antonio Pollaiuolo

1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.


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Antonio Pollaiuolo Altarpiece of the SS. Vincent, James and Eustace oil


Altarpiece of the SS. Vincent, James and Eustace
Painting ID::  52346
Altarpiece of the SS. Vincent, James and Eustace
1468 Tempera on wood, 172 x 179 cm
1468_Tempera_on_wood,_172_x_179_cm
   
   
     

Antonio Pollaiuolo Angel oil


Angel
Painting ID::  63090
Angel
1467 Fresco Chapel of the Cardinal of Portugal, San Miniato al Monte, Florence *** Keywords: ************* Artist: POLLAIUOLO, Antonio del Painting Title: Angel (detail) , 1451-1500 Painting Style: Italian , , religious
   
   
     

Antonio Pollaiuolo Portrait of a Girl - Panel Museo Poldi Pezzoli oil


Portrait of a Girl - Panel Museo Poldi Pezzoli
Painting ID::  63101
Portrait of a Girl - Panel Museo Poldi Pezzoli
Milan There are experts who think it to be the work of Domenico Veneziano. Independently of this uncertainty, this is one of the most beautiful profile portraits of the period. Artist: POLLAIUOLO, Antonio del Painting Title: Portrait of a Girl , 1451-1500 Painting Style: Italian , , portrait
   
   
     

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     Antonio Pollaiuolo
     1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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