Italian Painter, 1494-1557
Francesco Bacchiacca (1494 - 1557) was a Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style.
Bacchiacca was born in Borgo San Lorenzo, near Florence. He was also known as Bachiacca or Bacchiacca, Francesco d'Ubertino Verdi or Francesco Ubertini. He initially was a craftsman in an atelier of possibly Pietro Perugino. In 1523, he participated with Franciabigio and Jacopo Pontormo in the decoration of the camera of Giovanni Benintendi. He mainly worked in small cabinet pieces, or designs for tapestries. Sogliani's Deposition, a theme commonly addressed by many Florentine artists, is addressed in a cartoonish form.
The Preaching of Saint John the Baptist (detail) hhh c. 1520
Oil on wood
Museum of Fine Arts, Budapest c._1520
Oil_on_wood
Museum_of_Fine_Arts,_Budapest
BACICCIO gg Italian painter, born in Genoa (Giovanni Battista Gaulli) and active mainly in Rome, where he settled in 1657 and became a prot??g?? of Bernini. He achieved success as a painter of altarpieces and portraits (he painted each of the seven popes from Alexander VII to Clement XI), but is remembered mainly for his decorative work and above all for his Adoration of the Name of Jesus (1674-9) on the ceiling of the nave of the Gesu. This is one of the supreme masterpieces of illusionistic decoration, ranking alongside Pozzo's slightly later ceiling in S. Ignazio. The stucco figures that are so brilliantly combined with the painted decoration (from the ground it is not always possible to tell which is which) are the work of Bernini's pupil Antonio Raggi (1624-86).
Apotheosis of the Franciscan Order ff Painting ID:: 4890
Italian Painter, 1494-1557
Francesco Bacchiacca (1494 - 1557) was a Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style.
Bacchiacca was born in Borgo San Lorenzo, near Florence. He was also known as Bachiacca or Bacchiacca, Francesco d'Ubertino Verdi or Francesco Ubertini. He initially was a craftsman in an atelier of possibly Pietro Perugino. In 1523, he participated with Franciabigio and Jacopo Pontormo in the decoration of the camera of Giovanni Benintendi. He mainly worked in small cabinet pieces, or designs for tapestries. Sogliani's Deposition, a theme commonly addressed by many Florentine artists, is addressed in a cartoonish form.
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