BRONZINO, Agnolo

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.


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BRONZINO, Agnolo Bia, The Illegitimate Daughter of Cosimo I de  Medici oil


Bia, The Illegitimate Daughter of Cosimo I de Medici
Painting ID::  5395
Bia, The Illegitimate Daughter of Cosimo I de Medici
c. 1542 Oil on wood, 63 x 48 cm Galleria degli Uffizi, Florence
   
   
     

BRONZINO, Agnolo Cosimo I de  Medici in Armour oil


Cosimo I de Medici in Armour
Painting ID::  5396
Cosimo I de Medici in Armour
1545 Oil on wood, 74 x 58 cm Galleria degli Uffizi, Florence
   
   
     

BRONZINO, Agnolo Portrait of Eleanora di Toledo oil


Portrait of Eleanora di Toledo
Painting ID::  5397
Portrait of Eleanora di Toledo
1560 Wood National Gallery of Art, Washington
1560 Wood National_Gallery_of_Art,_Washington
   
   
     

BRONZINO, Agnolo Eleonora of Toledo with her son Giovanni de  Medici oil


Eleonora of Toledo with her son Giovanni de Medici
Painting ID::  5398
Eleonora of Toledo with her son Giovanni de Medici
1544-45 Oil on wood, 115 x 96 cm Galleria degli Uffizi, Florence
   
   
     

BRONZINO, Agnolo Portrait of Francesco I de Medici oil


Portrait of Francesco I de Medici
Painting ID::  5399
Portrait of Francesco I de Medici
1551 Tempera on wood, 58,5 x 41,5 cm Galleria degli Uffizi, Florence
   
   
     

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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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