BUGIARDINI, Giuliano

Italian painter, Florentine school (b. 1475, Firenze, d. 1554, Firenze) Italian painter and draughtsman. He trained in Florence in the workshop of Domenico Ghirlandaio. The influence of Ghirlandaio is apparent in his earliest known works, datable between c. 1495 and 1500, which include part of the altarpiece of the Nativity (Florence, Santa Croce) painted for the Castellani family. Apart from Ghirlandaio, his two most important early influences were Fra Bartolommeo and Mariotto Albertinelli. In 1503 Bugiardini joined the Compagnia di S Luca and began an association with Albertinelli that continued until 1509 when Albertinelli moved to the workshop of Fra Bartolommeo. Bugiardini's paintings of the Virgin and Child (e.g. c. 1510; Kansas City, MO, Nelson-Atkins Mus. A.) show the influence of the balanced classical compositions executed by Raphael in Florence between 1504 and 1508 (e.g. the Madonna of the Meadow, 1505, Vienna, Ksthist. Mus.; La Belle Jardini?re, 1507, Paris, Louvre). From Ghirlandaio's workshop and his study of antique sculpture in the Medici garden, Bugiardini would have known Michelangelo early in his career. Vasari mentioned Bugiardini as among the artists who went to Rome in 1508 to assist Michelangelo with the painting of the ceiling of the Sistine Chapel (Vatican) and who were almost immediately sent back to Florence. The influence of Franciabigio is clear in such works as the Birth of John the Baptist (1512; Stockholm U., Kstsaml.; autograph copy, Modena, Gal. & Mus. Estense) in which nature is not idealized, as compared to contemporary works in Rome. The signed and dated Madonna della palma (Virgin and Child with the Infant John the Baptist, 1520; Florence, Uffizi) suggests his familiarity with such contemporary Roman paintings by Raphael and his workshop as the Madonna of Divine Love (Naples, Capodimonte) or the Madonna of the Rose (c. 1518; Madrid, Prado).
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BUGIARDINI, Giuliano Portrait of a Woman, called The Nun oil


Portrait of a Woman, called The Nun
Painting ID::  5527 		Portrait of a Woman, called The Nun
1506-10 Oil on wood, 65 x 48 cm Galleria degli Uffizi, Florence
   
   
     
BUGIARDINI, Giuliano Virgin and Child with the Infant St John the Baptist oil


Virgin and Child with the Infant St John the Baptist
Painting ID::  5528 		Virgin and Child with the Infant St John the Baptist
Oil on wood, diameter 85 cm Museum of Fine Arts, Budapest
Oil_on_wood,_diameter_85_cm Museum_of_Fine_Arts,_Budapest
   
   
     
BUGIARDINI, Giuliano Madonna and Child with hte Young St.john t he Baptist oil


Madonna and Child with hte Young St.john t he Baptist
Painting ID::  28915 		Madonna and Child with hte Young St.john t he Baptist
mk65 Oil on panel 4 7/16x35 13/16in
mk65 Oil_on_panel 4_7/16x35_13/16in
   
   
     
BUGIARDINI, Giuliano Portrait of a Woman oil


Portrait of a Woman
Painting ID::  28916 		Portrait of a Woman
mk65 Oil on panel 25 9/16x18 7/8in
mk65 Oil_on_panel 25_9/16x18_7/8in
   
   
     
BUGIARDINI, Giuliano Portrait of a Woman, called The Nun oil


Portrait of a Woman, called The Nun
Painting ID::  32267 		Portrait of a Woman, called The Nun
1506-10 Oil on wood, 65 x 48 cm
1506-10 Oil_on_wood,_65_x_48_cm
   
   
     
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     BUGIARDINI, Giuliano
     Italian painter, Florentine school (b. 1475, Firenze, d. 1554, Firenze) Italian painter and draughtsman. He trained in Florence in the workshop of Domenico Ghirlandaio. The influence of Ghirlandaio is apparent in his earliest known works, datable between c. 1495 and 1500, which include part of the altarpiece of the Nativity (Florence, Santa Croce) painted for the Castellani family. Apart from Ghirlandaio, his two most important early influences were Fra Bartolommeo and Mariotto Albertinelli. In 1503 Bugiardini joined the Compagnia di S Luca and began an association with Albertinelli that continued until 1509 when Albertinelli moved to the workshop of Fra Bartolommeo. Bugiardini's paintings of the Virgin and Child (e.g. c. 1510; Kansas City, MO, Nelson-Atkins Mus. A.) show the influence of the balanced classical compositions executed by Raphael in Florence between 1504 and 1508 (e.g. the Madonna of the Meadow, 1505, Vienna, Ksthist. Mus.; La Belle Jardini?re, 1507, Paris, Louvre). From Ghirlandaio's workshop and his study of antique sculpture in the Medici garden, Bugiardini would have known Michelangelo early in his career. Vasari mentioned Bugiardini as among the artists who went to Rome in 1508 to assist Michelangelo with the painting of the ceiling of the Sistine Chapel (Vatican) and who were almost immediately sent back to Florence. The influence of Franciabigio is clear in such works as the Birth of John the Baptist (1512; Stockholm U., Kstsaml.; autograph copy, Modena, Gal. & Mus. Estense) in which nature is not idealized, as compared to contemporary works in Rome. The signed and dated Madonna della palma (Virgin and Child with the Infant John the Baptist, 1520; Florence, Uffizi) suggests his familiarity with such contemporary Roman paintings by Raphael and his workshop as the Madonna of Divine Love (Naples, Capodimonte) or the Madonna of the Rose (c. 1518; Madrid, Prado).

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