Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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Bernardo Bellotto Ansicht von Dresden, Der Altmarkt von der Seegasse aus oil


Ansicht von Dresden, Der Altmarkt von der Seegasse aus
Painting ID::  89792 		Ansicht von Dresden, Der Altmarkt von der Seegasse aus
1750-1751 Medium Oil on canvas cjr
1750-1751 _ Medium_Oil_on_canvas _ cjr
   
   
     
Bernardo Bellotto Capriccio Veneto oil


Capriccio Veneto
Painting ID::  90009 		Capriccio Veneto
1740(1740) Medium oil on canvas Dimensions 48,5 x 73 cm cyf
   
   
     
Bernardo Bellotto Ansicht von Dresden oil


Ansicht von Dresden
Painting ID::  90117 		Ansicht von Dresden
1765(1765) Medium oil on canvas cyf
1765(1765) _ Medium_oil_on_canvas _ cyf
   
   
     
Bernardo Bellotto Visitationist Church in Warsaw oil


Visitationist Church in Warsaw
Painting ID::  90443 		Visitationist Church in Warsaw
1780(1780) Medium oil on canvas cyf
1780(1780) _ Medium_oil_on_canvas _ cyf
   
   
     
Bernardo Bellotto Das kaiserliche Lustschlob Schlobhof, Ehrenhofseite oil


Das kaiserliche Lustschlob Schlobhof, Ehrenhofseite
Painting ID::  90678 		Das kaiserliche Lustschlob Schlobhof, Ehrenhofseite
1758/61 Medium oil on canvas cjr
1758/61 _ Medium_oil_on_canvas _ cjr
   
   
     
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     Bernardo Bellotto
     Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.

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