Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.


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Bernardo Bellotto View of Vienna from the Belvedere oil


View of Vienna from the Belvedere
Painting ID::  10337
View of Vienna from the Belvedere
Oil on canvas, 135 x 213 cm Kunsthistorisches Museum, Vienna
   
   
     

Bernardo Bellotto Pirna Seen from the Right Bank of the Elbe oil


Pirna Seen from the Right Bank of the Elbe
Painting ID::  10338
Pirna Seen from the Right Bank of the Elbe
1747-55 . Oil on canvas. The Hermitage, St. Petersburg,
   
   
     

Bernardo Bellotto The Old Market Square in Dresden 4 oil


The Old Market Square in Dresden 4
Painting ID::  10339
The Old Market Square in Dresden 4
1747 Oil on canvas. The Hermitage, St. Petersburg,
1747_Oil_on_canvas._ The_Hermitage,_ St._Petersburg,
   
   
     

Bernardo Bellotto Signoria Square in Florence. oil


Signoria Square in Florence.
Painting ID::  10340
Signoria Square in Florence.
1740s. Oil on canvas. Museum of Fine Arts, Budapest,
1740s._ Oil_on_canvas._ Museum_of_Fine_ Arts,_Budapest,
   
   
     

Bernardo Bellotto Arno in Florence. oil


Arno in Florence.
Painting ID::  10341
Arno in Florence.
1740Oil on canvas. Museum of Fine Arts Budapest, Hungary
   
   
     

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     Bernardo Bellotto
     Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.

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