CIMA da Conegliano

Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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CIMA da Conegliano The Virgin and Child with Saint Andrew and Saint Peter oil


The Virgin and Child with Saint Andrew and Saint Peter
Painting ID::  92760 		The Virgin and Child with Saint Andrew and Saint Peter
47.7 X 39.7 cm (18.8 X 15.6 in) late 15th century or early 16th century. Medium oil on panel. cjr
   
   
     
CIMA da Conegliano The Annunciation oil


The Annunciation
Painting ID::  93659 		The Annunciation
1495(1495) Medium Tempera and oil on canvas transferred from wood Dimensions Height: 136 cm (53.5 in). Width: 107 cm (42.1 in). cjr
   
   
     
CIMA da Conegliano Imago Pietatis oil


Imago Pietatis
Painting ID::  98301 		Imago Pietatis
1490s Medium tempera and oil on panel Dimensions 53.5 x 38.5 cm cyf
   
   
     
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     CIMA da Conegliano
     Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

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