CRESPI, Giuseppe Maria

Italian Baroque Era Painter, 1665-1747 Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier.
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CRESPI, Giuseppe Maria Bookshelves dfg oil


Bookshelves dfg
Painting ID::  6316 		Bookshelves dfg
c. 1725 Oil on canvas Civico Museo Bibliografico Musicale, Bologna
   
   
     
CRESPI, Giuseppe Maria Dice Players ghe oil


Dice Players ghe
Painting ID::  6317 		Dice Players ghe
1740s Oil on canvas, 58 x 46,5 cm Museo Civico, Bologna
1740s Oil_on_canvas,_58_x_46,5_cm Museo_Civico,_Bologna
   
   
     
CRESPI, Giuseppe Maria Village Fair dfg oil


Village Fair dfg
Painting ID::  6318 		Village Fair dfg
c. 1709 Oil on canvas, 76 x 84 cm Pinacoteca di Brera, Milan
   
   
     
CRESPI, Giuseppe Maria Hecuba Blinding Polymnestor fg oil


Hecuba Blinding Polymnestor fg
Painting ID::  6319 		Hecuba Blinding Polymnestor fg
Oil on canvas, 173 x 184 cm Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
CRESPI, Giuseppe Maria Cardinal Prospero Lambertini dfg oil


Cardinal Prospero Lambertini dfg
Painting ID::  6320 		Cardinal Prospero Lambertini dfg
1740 Oil on canvas, 80 x 58 cm Palazzo d'Accursio, Bologna
   
   
     
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     CRESPI, Giuseppe Maria
     Italian Baroque Era Painter, 1665-1747 Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier.

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